A gramophone playing Edith Piaf's "Te Es Partout" in a French town square is the image that stayed with me long after watching Saving Private Ryan. The mood of gentle melancholy it created was the finest signature for the movie.
Background score and theme music is a little different because they actively strive to achieve that effect. When successful, there is a certain audio-visual harmony about the movie that enhances the pleasure of watching it.
The violin quartet "Pur una Cabeza" in the Scent of A Woman recreates fragments of the evening when I watched the movie each time I hear it. Music like that has a kaleidoscopic effect. I know that I will be surprised by the medley of memories that will come back.
An expat desi friend and I were discussing what it means to return to India when you have cobbled together a life in a foreign country no matter how flawed and imperfect. We have both spent over a decade outside India and have kids who were born abroad and have spent very little time back home. Returning "home" is something a lot of new immigrants like L and myself think about. We want very much for that to be an option because a full assimilation into our country of domicile is likely never going to happen. L has visited India more often than I have and has a much better pulse on what's going on there. For me the strongest drag force working against my desire to return home is my experience of life as a woman in India. I neither want to live that suffocatingly sheltered existence myself nor subject J to it. The freedom, independence and safety I have had in here in suburban America was not even something I knew I could expect to have in India. I never knew what it felt t...
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