Art and factory wouldn't normally belong together unless it were by design. Thought this was a beautiful idea - to commission art from factories by having each piece be incorrect in any way that a factory worker chose it to be. The results of the project are intriguing and whimsical - they could just as easily been created in an artist's studio by hand. Making these useless, unusable objects may have been the most creative latitude these factory workers ever had in their jobs. What an amazing break from monotony and a beautiful assay into the world of art, and design that would have been. As always, the reader reactions to the story make for interesting reading - not everyone is equally impressed and with good reason too.
An expat desi friend and I were discussing what it means to return to India when you have cobbled together a life in a foreign country no matter how flawed and imperfect. We have both spent over a decade outside India and have kids who were born abroad and have spent very little time back home. Returning "home" is something a lot of new immigrants like L and myself think about. We want very much for that to be an option because a full assimilation into our country of domicile is likely never going to happen. L has visited India more often than I have and has a much better pulse on what's going on there. For me the strongest drag force working against my desire to return home is my experience of life as a woman in India. I neither want to live that suffocatingly sheltered existence myself nor subject J to it. The freedom, independence and safety I have had in here in suburban America was not even something I knew I could expect to have in India. I never knew what it felt t
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