Crowded public places can at times be devoid of character. Indistinctive cityscapes, people talking to their cell-phones, listening to music, the ebb and tide of traffic leave behind blurred rather than clear impressions of a place. Increasing our immersion in our surroundings by engaging multiple senses is an interesting notion in itself though the benefits (if any) are largely suspect.
We no longer remain a nameless, faceless anonymity in the milling crowds when we participate in voluntary surveillance like the loca project. The city does not remain without character when we allow it to create music based on our interactions with it.
"a system that creates electronic music based on sensing bodily and environmental factors. Mapping these to the real-time processing of concrete sounds, Sonic City generates a personal soundscape co-produced by physical movement, local activity, and urban ambiance. Encounters, events, architecture, (mis)behaviours - all become means of interacting with or 'playing the city' "
We could potentially play back the sounds of the "City and I" into an eidophone to render that experience two dimensional.
crossings as in traversals, contradictions, counterpoints of the heart though often not..
Sensory Immersion
Subscribe to:
Post Comments (Atom)
Hard Rejection
It only makes sense that digital natives are rethinking the role of smartphones in childhood , drawing on their own experiences to set new ...
-
An expat desi friend and I were discussing what it means to return to India when you have cobbled together a life in a foreign country no ma...
-
Published in Serenelight Shiv is fond of saying that he is left where magic realism meets Haiku and remembers having mentioned this to Joie...
-
I, Ananya, am a suburban single mother minus the SUV that often comes with the territory. Ten years ago, I would have been awed by someone i...
No comments:
Post a Comment